The second set of elements that must be taken into consideration are the voice the music and rhythm
2 .- Voice: voice management presupposes a thorough knowledge of the characteristics of its own vocal apparatus comprising:
- that respiratory involves the inhalation and exhalation. Both influence in the theatrical discourse by emphasizing certain points with the greatest volume of voice, which demands more expiration, and the silence to inspire that cause an effect in the history
- larynx that produces changes in height of the sound and that can be divided into records: deep bass, low, medium low, medium, medium-high, sharp and sombreagudo and transmission modes: chest voice (infragrave, serious, medium-low), mixed voice (media), voice head (women or falsetto (men)
- resonance cavities are the cavities that the sound of the larynx travels before reaching the open air: pharynx, oral cavity, nasal cavity and frontal cavity. Da body of the character information to the viewer (in terms of presence that brings voice to the character's personality
How to analyze the materiality of the voice?
Considering
• semantic thickness voice: corporeality , sensuality and musicality of the voice affect the meaning of the text.
• Perfection formal pronunciation of the specialization of the sentence and the sense of rhythm create an effect of oratorio (drawing with the words landscapes of dramatic).
• spell words during (the magic forms)
• The language, according to Fonagy, is based on body actions . The pronunciation of certain consonants requires body energy.
should be noted the fact that it is essential to understand the dramatic value of vocal effects, feel the speaker's voice changes according to their partners and see what those changes .
References consulted:
Pavis, Patrice The analysis shows, Paidós Communication 121 Part II: Voice, music and rhythm.
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