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Activity!

From the above on Time and Space incorporate them into your analysis of plays to choose to read their students. Encourage them to identify both elements through assistance to see a play or a movie where time and space to interact in different ways (different chronotopes).
For example: Tapes film in black and white format have a concept of time-space than tapes actuales.Montaje of current drama and symbolism have a different pace to the mounts of yesteryear (which can be analyzed through images ) Promote in students a critical analysis shows and works that fall into their hands!

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New! Four fundamental chronotopes

Mori In the cultural center is being mounted radio drama Cycle: The sinister Dr. Mortis until next weekend. It is a good opportunity to meet this important theatrical format social history of the first half of the twentieth century. For information visit http://www.centromori.cl/blog/index.php/171/ciclo-radio-teatro-el-siniestro-doctor-mortis.php May

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chronotopes

Here I present a combination of elements for chronotopes:

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space-time operation conditions of a space experience and temporal experience:

describe how?

• Experience space: one can conceive the space of two forms or theories:
- space as empty space to fill that container. Must dominate, filling and get expressed. Artaud is a representative of this position.
- as invisible and unlimited space, linked to its users. Substance is not to fill it to spread.
• How to describe the space?
• Category: Objects
- Place theatrical : building and architecture in a city where they made a representation. It has indoor (room, stage, aisles, etc.) And internal (terrace, hall and lobby)
- Scenic Area: place to move the actors and technical staff. That is, the playing area itself and its extensions to the racks, living room and around the theater building.
- liminal space: space that marks the separation between the stage and the audience. Your limit is more or less the lights of the ramp or the "circle of care" that traces the actor mentally isolated from the eyes of others
• Categories: Subjective
- dramatic space: space above and symbolized by the text. Directly affects the performance space to contain the theme that guided its construction material.

• Other spaces:
- textual space: how the audience fits the space your text recitation
- interior space: a space devoid of reality. For example: when is a ghost, a dream, etc.
- Ergonomic Space : circle work actor. Includes proxemics dimension (relations between the people), pathogenic (way to touch others and oneself) and kinetics (movement of the body)

• Space gestural : space created by the actor from their corporeality:
- Land : covering the actor with the move which is allowed to dominate when the viewer's attention is fixed on another element of the stage.
- kinesthetic experience: the actor that is evident in the perception of motion, body image, etc. handled by the actor but which in any way it voluntarily discloses to the viewer.
- Subpartitura: in which the plaintiff relies. Benchmarks and orientation in space (traveling from one place to another stage, etc.).
- Proxemics: realize the cultural coding of spatial relationships of individuals.

• Experience Temporary
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- outside Target time: duration of the show, is timed. It is a time clock.
- exterior subjective Time: time to every individual, can not be measured objectively, but culturally. The tempo (recording of a greater or lesser number of units in a given clock time) determines the variation of this time (pauses, silences, interruptions of the action, etc.)
- dramatic Time: time represented the first event
- Scene: time representation remains as an element of common reference for spectators and players.

NOTE: The fusion of dramatic time and time stage does not necessarily have a clear timeline is a sequence of interrelated events. Can also be analyzed as a set of particular moments in which time seems to stop. The fertile time, which is a quasi-mystical moment in which everything becomes clear similar the anagnólisis (time of drama in which the character becomes aware of a reality or events not previously displayed in his mind), is a time of motion detection and word that the actor captures the audience's attention.

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Space, time and action

interact with each other, merging a possible world (created by history) with a concrete world (what I see on stage This is because:
• No space, time, life would be pure like music, for example
• No time, space would be the painting or architecture
• No time and no space, no action can develop
• chronotope: concept defined by Mikhail puffballs, in the case of novels, to define a unit in which the spatial and temporal evidence form a single comprehensible and concrete. In the case of theater action and the actor's body was conceived as an amalgam of space and temporality: the body is not only in space (Merleau-Ponty) but also the fact that space and time
• theatrical space and time representation are specific spacetime. Theatrical space corresponds to the space where the representation is made (the tangible). Time representation is the objective duration lasting work dramatic. For example: Blood Wedding is set in a village in Spain but the scenery is the home of the bride (space stage). And the duration of the work are approx. two hours (time representation). But in turn arises parallel abstract space-time (temporary fictitious and imaginary place)

Bibliography: Pavis, Patrice The análisisd and entertainment. Paidós Communication 121 (2000)