Centerpiece For Baseball Club Reception

space-time operation conditions of a space experience and temporal experience:

describe how?

• Experience space: one can conceive the space of two forms or theories:
- space as empty space to fill that container. Must dominate, filling and get expressed. Artaud is a representative of this position.
- as invisible and unlimited space, linked to its users. Substance is not to fill it to spread.
• How to describe the space?
• Category: Objects
- Place theatrical : building and architecture in a city where they made a representation. It has indoor (room, stage, aisles, etc.) And internal (terrace, hall and lobby)
- Scenic Area: place to move the actors and technical staff. That is, the playing area itself and its extensions to the racks, living room and around the theater building.
- liminal space: space that marks the separation between the stage and the audience. Your limit is more or less the lights of the ramp or the "circle of care" that traces the actor mentally isolated from the eyes of others
• Categories: Subjective
- dramatic space: space above and symbolized by the text. Directly affects the performance space to contain the theme that guided its construction material.

• Other spaces:
- textual space: how the audience fits the space your text recitation
- interior space: a space devoid of reality. For example: when is a ghost, a dream, etc.
- Ergonomic Space : circle work actor. Includes proxemics dimension (relations between the people), pathogenic (way to touch others and oneself) and kinetics (movement of the body)

• Space gestural : space created by the actor from their corporeality:
- Land : covering the actor with the move which is allowed to dominate when the viewer's attention is fixed on another element of the stage.
- kinesthetic experience: the actor that is evident in the perception of motion, body image, etc. handled by the actor but which in any way it voluntarily discloses to the viewer.
- Subpartitura: in which the plaintiff relies. Benchmarks and orientation in space (traveling from one place to another stage, etc.).
- Proxemics: realize the cultural coding of spatial relationships of individuals.

• Experience Temporary
How to describe the weather?
- outside Target time: duration of the show, is timed. It is a time clock.
- exterior subjective Time: time to every individual, can not be measured objectively, but culturally. The tempo (recording of a greater or lesser number of units in a given clock time) determines the variation of this time (pauses, silences, interruptions of the action, etc.)
- dramatic Time: time represented the first event
- Scene: time representation remains as an element of common reference for spectators and players.

NOTE: The fusion of dramatic time and time stage does not necessarily have a clear timeline is a sequence of interrelated events. Can also be analyzed as a set of particular moments in which time seems to stop. The fertile time, which is a quasi-mystical moment in which everything becomes clear similar the anagnólisis (time of drama in which the character becomes aware of a reality or events not previously displayed in his mind), is a time of motion detection and word that the actor captures the audience's attention.